VVFA Modern | Artists | Benny Andrews (American, 1930 - 2006)

  • The Poor House
  • Benny Andrews (American, 1930 - 2006)
  • The Poor House, 1962
  • Oil on canvas
  • 20 x 26 x inches
  • Signed lower left; titled and dated 1962 on verso
  • The Offering
  • Benny Andrews (American, 1930 - 2006)
  • The Offering, 1964
  • Oil on canvas
  • 24 1/2 x 38 1/2 x inches
  • Signed, dated 1964, and titled on verso
  • Spring Maiden
  • Benny Andrews (American, 1930 - 2006)
  • Spring Maiden, 1963
  • Oil on canvas and collage
  • 30 x 20 x inches
  • Signed lower right; titled and dated 1963 on verso
  • Preacher
  • Benny Andrews (American, 1930 - 2006)
  • Preacher, 1964
  • Pen and ink on paper
  • 15 x 11 x inches
  • Signed, titled, and dated 1964 lower right
  • Landscape
  • Benny Andrews (American, 1930 - 2006)
  • Landscape
  • Oil on paper
  • 13 x 17 1/2 x inches
  • Signed lower left
  • Chess
  • Benny Andrews (American, 1930 - 2006)
  • Chess, 1964
  • Oil and collage on board
  • 15 x 11 x inches
  • Signed, titled, and dated 1964 lower left
  • The Beach
  • Benny Andrews (American, 1930 - 2006)
  • The Beach, 1976
  • Oil and collage on canvas
  • 21 x 16 x inches
  • Signed and dated 1976 lower right
  • Flight
  • Benny Andrews (American, 1930 - 2006)
  • Flight, 1975
  • Oil and collage on canvas
  • 18 x 20 x inches
  • Signed and dated 1975 lower right
  • Untitled (Still Life)
  • Benny Andrews (American, 1930 - 2006)
  • Untitled (Still Life), 1971
  • Oil and collage on canvas
  • 27 x 24 x inches
  • Signed and dated 1971 lower right
(Benny Andrews, 1930-2006) Benny Andrews was born in 1930s Georgia, in a farming community sixty miles from Atlanta. His sharecropper parents provided a creative environment for their children despite poverty and the realities of segregation, and they encouraged a rich narrative tradition based on racial heritage, local legends, and observations of their community. Andrews’s distinctive figurative style is a result of his exploration of American life, informed by his youth.

In 1954 Andrews began classes at the Art Institute of Chicago, having never visited a museum or had a formal art lesson. He studied the collection there, wandered the city, frequented jazz clubs, and sketched people he observed. His adopted an economy of line, attenuated figures and emphasized gesture, and for the first time experimented with collage. While Abstract Expressionism dominated the art scene, Andrews adhered to an expressionistic figural style, integrating aspects of abstraction with social realism.

Andrews moved to New York in 1958 and within a decade became a nationally recognized artist. In 1965 he used a John Hay Whitney Fellowship award to visit Georgia and produced an Autobiographical series from the trip. This established his penchant for producing series unified by a theme, and numerous series followed for the remainder of his career.

In addition to his art, Andrews is known work as a teacher, activist, and advocate. He was professor at Queens College, NY for 29 years, lecturer at numerous universities, initiated an art program in the New York state prison system that serves as a model for programs throughout the country, and was a co-founder of the Black Emergency Cultural Coalition which encouraged public institutions to include the work of minority and women artists in their collections. Andrews has served as a curator, critic, and writer and has received numerous awards and accolades for his work in and out of the studio.

Collections:
Metropolitan Museum of Art, NY
Smithsonian Institution, Washington DC
Hirshhorn Museum, Washington DC
Brooklyn Museum of Art, NY
Museum of Modern Art, NY
Studio Museum in Harlem, NY Newark Museum, NJ
Detroit Institute of the Arts, MI
Ogden Museum of Southern Art, New Orleans, LA
Museum of Contemporary Art of Georgia
National Museum of African Art, Washington DC
Butler Institute of American Art, Youngstown, OH
High Museum of Art, Atlanta, GA Chrysler Museum, Norfolk, VA
Wadsworth Atheneum, Hartford, CT